Abstract

This chapter discusses four notable books concerning film theory that were published in 2023 and early 2024. Two of them are translated from languages other than English, and two are wide-ranging edited collections. The chapter is divided into five sections: 1. Nicole Brenez, On the Figure in General and the Body in Particular: Figurative Invention in Cinema, trans. by Ted Fendt; 2. Shiguéhiko Hasumi, Directed by Yasujirō Ozu, trans. by Ryan Cook; 3. Craig Fox and Britt Harrison, eds., Philosophy of Film Without Theory; 4. Julian Hanich and Martin P. Rossouw, eds., What Film Is Good For: On the Values of Spectatorship; and 5. Conclusion.

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