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III Dreaming of Maturity 1924–1928
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Published:June 2020
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Abstract
This chapter looks at the triumph of Francis Poulenc's Les Biches, in which he took some time to fully absorb it and what it meant for him as a composer. It clarifies the significance of triumphs for composers and how they pose the problem of acting as markers against which anything a composer writes thereafter will be judged. The chapter looks into Poulenc's two new works in the whole of 1924 that was given the title of a piano concerto: Trio for oboe in May and Poèmes de Ronsard in December. It mentions Poulenc's work on the third movement of Napoli and revision of the Impromptus. It also describes the Violin Sonata for Jelly d'Aranyi that ultimately met the familiar fate of most of Poulenc's works for strings.
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