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Abstract
Various accounts describe Alexis de Tocqueville's wilderness trips during his journey to America, especially how he transforms the materials and symbols of his wilderness adventures. Tocqueville's ethnographic and naturalist observations turned into moral commentaries on the values and tensions of American life that reveal his apprehensive insights into the American psyche. They also provide an emotional accompaniment to his book Democracy in America, which is shaped by questions related to two crucial transformations, one involving a remythicizing of the Indian and the other concerning perplexing ambiguities about the meaning of progress and civilization. The frontiersman and the Indian, two figures who are grim antagonists, reflect some of Tocqueville's most disturbing insights into American civilization and appear as full-blown creations of his imagination in “Quinze Jours au Désert.” Both also reappear as part mythical, part historical figures in Democracy in America. Tocqueville was shocked by his initial encounter with the demoralized remnants of the Iroquois in upstate New York, but was even more shocked by the callousness, the unfeelingness exhibited by the white man toward the Indian.
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