Figure 2.
The distribution of the unstable modes in the HR diagram. (a) The pulsationally unstable fundamental (large solid dots) and the first overtone (crosses); (b) the second and third overtones (large solid dots and crosses, respectively); (c) the fourth and fifth overtones (large solid dots and crosses, respectively); (d) the sixth and seventh overtones (large solid dots and crosses, respectively). The small dots are pulsationally stable models.

The distribution of the unstable modes in the HR diagram. (a) The pulsationally unstable fundamental (large solid dots) and the first overtone (crosses); (b) the second and third overtones (large solid dots and crosses, respectively); (c) the fourth and fifth overtones (large solid dots and crosses, respectively); (d) the sixth and seventh overtones (large solid dots and crosses, respectively). The small dots are pulsationally stable models.

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