Divining Nature: Aesthetics of Enchantment in Enlightenment France
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This book began with my interest in the marvelous. I never suspected it would take me down so many garden paths, however, and I have incurred many debts along the way. I would like to thank the members of our Eighteenth-Century Interdisciplinary Salon, past and present, who individually and collectively responded to various parts of this project as it evolved, particularly our founder, Rebecca Messbarger, as well as Pannill Camp, Charly Coleman, Alexandre Dubé, Matt Erlin, Minsoo Kang, Kristina Kleutghen, Wolfram Schmidgen, Annie Smart, Alexander Stefaniak, and Mark Valeri, who have been known to forego sleep and to brave storms for the sake of our discussions. Carolyn Abbate’s NEH Summer Seminar at Princeton University prompted me to consider opera in terms of performance and reception as well as libretto and score. I am grateful for the support of the Center for the Humanities at Washington University in St. Louis, where I was a Faculty Fellow for a themed focus on the subject of affect, and the National Endowment for the Humanities, which arrived at a critical juncture and allowed me to finish my book.
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