
Contents
Epilogue: Performing Interfaith Dialogue
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Published:October 2013
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Few Moroccans publically recognize the existence of racist attitudes and stereotypes toward Jews and Christians. State agencies such as the Ministry of Education have done little to change these attitudes and educate young adults to accept cultural and ethnic differences. The task of responding to stereotypes about Jews is left to a few individuals while the state takes a back seat. As the Palestinian-Israeli conflict continues to enlarge the gap of misunderstanding and limit dialogue among Jewish, Christian, and Muslim communities throughout the world, a few Jewish, Christian, and Muslim “artisans of peace” continue to hold partnerships and dialogues of reconciliation between Israelis and Palestinians.1Close In this context, Jewish-Christian-Muslim convivencia during Islamic Spain has emerged as their historical reference.2Close For instance, the Foundation for the Three Cultures and the Three Religions, based in Seville, Spain, has become an annual pilgrimage for these traders of peace. This interfaith dialogue has largely been a performance, despite its message of tolerance and understanding. It can end abruptly when it does not have an audience and when its actors exit the national stage. Accordingly, these annual festivals and meetings of tolerance remain simply moments of reification of imagined communities of tolerance.3Close These meetings of tolerance are Turnerian moments of communitas, when Muslims, Jews, and Christians gather in an imagined space of toleration, free from violence, and invoke this past of coexistence through Andalusian music.4Close
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