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This book elbowed its way into the world several years ago in Victoria, British Columbia, where I was presenting a chapter from another project, a book on the neurobiology of historical consciousness in Victorian literature. As luck would have it, Herbert “Chip” Tucker, one of the most brilliant, stylish, and generous writers I know, was in the audience, and on learning that play was one of my research interests, he graciously invited me to contribute an essay to a special issue, devoted to play, of New Literary History. Chip turned out to be one tough editor, mercilessly pushing and prodding my original paradigm (timid creature that it was!) and encouraging me to go back to the drawing board, to question everything I knew about play that I might discover it anew. Thanks to Herbert Tucker, I discovered a world in play. What began as a short article insisted on becoming a book, and at every stage it has benefited from Chip's wisdom and rigor.
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