... organize the liturgical calendar and its music, in the process stipulating the presence of instrumentalists on certain occasions. Later documents reveal gradual changes that were reflected in this daily practice: on the one hand, wind players were required to play on a growing number of feast-days...

.../open_access/funder_policies/chorus/standard_publication_model ) Abstract Learning to read and write music can be a transformative experience, opening up new avenues for performance and composition, and inviting the use of different creative processes. For many professional ensemble instrumentalists...

... genius of the Great Composers. It studies the conceptualization of creativity in collective and individual improvisational performance, which was believed to be crucial to the training of instrumentalists. The chapter also considers some modern conceptions of music creativity and studies...

... from such instruments. What was ultimately responsible for the displeasure of even the less polemically minded members of the audience was the gulf that separated the singers from the instrumentalists. conductors instrumentation original Norma Berlioz Hector Biondi Fabio Cagli Bruno Europa...

... the orchestra on the SS Island Queen in 1929. Other musicians still playing New Orleans-style jazz found work in hotel rooms in New York or Chicago. Other locations that had provided steady work for the bands moved to a non-jazz policy. The New Orleans instrumentalists who later formed...

..., it was staged. Indeed, the prefatory remarks in the published score, unsigned but most probably by Cavalieri himself, contain invaluable information on the staging, in the form of instructions to stage directors, singers, dancers, and instrumentalists. They are given below, preceded by a letter of dedication...

... of instrumentalists aren’t free to improvise because they’re taught to play only what’s written, and that forms a certain mind frame;’ he says. “I’m happy I had the experience of playing rock music, because it opened me up:’ Currier attended the Manhattan School of Music and earned a doctorate in composition...

... electric guitar St. Vincent Ernie Ball instrumentalists masculinity queerness access Musician Annie Clark, who performs under the alias St. Vincent, graced the cover of Guitar World’s Preview Issue in February 2017. Her presence alone warranted attention. Guitar World...

... regarding authentic Baroque vocal style. Today's professional Baroque instrumentalists are as capable of skillfully playing on their older instruments as they are on modern ones. The renewed vitality of Baroque music means that the demise of the “studio Baroque” vocal sound is not to be lamented. Twentieth...

... as they are in the concert band. Although the young jazzer may take improvised solos in jazz band performances, he may be unable to negotiate chord changes or incorporate characteristic jazz vocabulary. In light of this, this chapter covers concepts and skills relevant to beginning jazz instruction for wind instrumentalists...

... by racism and economic oppression. Instrumentalists, those who wanted to use the church as a means or instrument for other ends (besides religion), came to dominate interpretations of black religion among African American leaders. Although Du Bois initially hoped to provide detailed local studies of black...

... instrumentalist to record in the United States with a racially mixed group. He was one of the first African American artists, if not the first, to appear on the vaudeville stage in ordinary dress clothes and without the use of demeaning burnt-cork blackface makeup, and also opened the door to recording work...

... to take them to Chicago and then Hollywood, where they scored on radio. Chica suggests that they thought more like instrumentalists than as singers. As they realized that their singing went over best with audiences, they dropped other aspects of the act, which involved dancing and about a dozen...

..., we have postponed to the final chapter the stories of a number of female instrumentalists. Since that chapter deals with the current scene of the 1980s and because women have begun to come to the fore this past decade or so as instrumentalists in a way that has never before occurred in jazz...

...0 14 10 2001 Sources of information concerning medieval instrumentalists and their music are profoundly inconsistent. Most musicians did not belong to the elite layers of society and therefore did not attract much description or comment in the writings of the time. We must glean our information...

... necessary for opera production, from the financial backing and the issue of patronage to the commissioning and creation of the libretto and score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes; and the nature of the audience...

... instrumental music from black culture “musicianers” folk instrumentalists Smith N Clark Tuskegee Institute later Tuskegee University Boston Ideal Colored Troubadours and Jubilee Singers Brooker and Clayton’s Georgia Minstrels Canadian Jubilee Singers Carter Mr and Mrs William Centennial Jubilee Singers...

...This chapter explores the reasons why east European Jews sought to study at the Berlin Conservatory. It investigates the dramatic influx of Jewish students, both instrumentalists and composers, that found encouragement and advancement at the Berlin Conservatory between the years 1918 and 1933...

...The performance of secular music in these years took many forms. In the mix of court and church events, the value of a well-staffed corps of musicians, both singers and instrumentalists, is clear. Every major occasion involved some form of music-making. For each, Ercole’s musicians were capable...

... concentrated instrumentalists This content is only available as a PDF. ...