... of the host. The latter feature is genetically determined by an as-yet-uncloned X-linked heterochromatic locus ( Prud'homme et al. 1995 ; Robert et al. 2001 ) called flamenco (flam). The restrictive function of flam represses gypsy expression in the somatic follicle cells...

... Pepita de zarzuela flamenco García jnr Manuel Gottschalk Louis Moreau habanera Malibran Maria sheet music Viardot Pauline Arcas Julián Bosch Jaime chanson Daniel Francisco Salvador Degas Edgar Fortuny Mariano guitar Huerta Trinidad guitarist Manet Édouard Pagans Lorenzo Vierge Daniel...

... Goñí Antonio Ponchielli Amilcare Teatro Real Madrid Teatro de la Zarzuela Madrid Verdi Giuseppe Wagner Richard zarzuela Chapí Ruperto Giménez Gerónimo copyright Éditions Choudens Frías Duque de Zozaya Benito González Eulalia flamenco tobacco Bretón Tomás Carmen Bizet Granés Salvador...

...This chapter provides an analysis of flamenco guitar and song: The Musical Elements of Flamenco; Flamenco Guitar; Soleares; A quién le contaré yo, sung by Juan Talega; and Is There an Indigenous Flamenco “Theory”? Alvarez Caballero Angel Andalusian music flamenco...

... numerous orchestral and stage works for quartet; revived neglected classics, especially from the 1800s; and improvised flamenco numbers, as well as adding flourishes to notated music. Romero repertoire Giuliani Mauro Segovia Andrés University of California San Diego UCSD Alice Tully Hall New York City...

...One of flamenco’s many palos, or forms, is the tango, which was transported as the tango de negros or tangos de Americas from Cuba to Spain in the mid-nineteenth century. There, it was transformed into the tango de gitanos...

... democracy and constitutional monarchy, ending a conflict that had begun in 1808. The musical emblem of this new era was provided neither by the avant-garde nor traditionalists like Torroba but rather by Paco de Lucia, who fused flamenco and global pop in a way that symbolized Spain's reincorporation...

...This chapter covers the early history of flamenco per se, especially as it emerged and flourished throughout Andalusia--and by extension, Madrid and Barcelona--in the contributions of influential artists such as Silverio Franconetti, Antonio Chacon, and Manuel Torre. Further discussed...

...This chapter covers flamenco history from the 1920s to the modern period. With the decline of the cafés cantantes and the rise of a moralistic anti-flamenco campaign, followed by the cultural repression and stagnation of the Franco regime, flamenco struggled to survive. A belated revival commenced...

...This chapter provides a detailed discussion of flamenco structural and stylistic elements (though repertoire and specific cantes are covered in the following chapter). The entities “cante” and “estilo” are clarified, and the distinctive features of flamenco rhythm, harmony, modality, vocal...

...This chapter provides succinct descriptions, with twenty-one musical notations, of all the major cantes or song-types in the flamenco repertoire, outlining their identifying features, the sorts of variation that can be accommodated, and the conventional guitar accompanimental patterns. Several...

...This chapter is devoted to flamenco lyrics. It surveys their general style and format and their typical themes, with numerous examples. Representations of gender, sociopolitical commentary, Gitano identity, and class consciousness are discussed, as are arguments about their origins...

..., Spain. The fiesta, an invented tradition that commenced in 1967, is dedicated to the bulería, a highly-cherished song-form in the flamenco repertoire. Drawing on perspectives from semiotics, the chapter addresses the question of how musical sounds signify, essential...

... to be another were indeed terrible. Flamenco performs these riddles of identity, the crux of Spain’s conceptualizations of race. Seeming to perform the Christian virtue which founds Spain’s Whiteness, flamencos cannily perform being who they are not—signifying racial instability instead. Like the Jews...

...0 16 01 2025 Flamenco encompasses a wide spectrum of emotions, from the haunting gritos/cries of the cante jondo/deep song to lighthearted palos/song forms like tangos, alegrías and bulerías. Derived from...

...0 03 02 2025 The first version of El amor brujo was a pantomime with flamenco songs, one of several projects Falla undertook with the theatrical team Gregorio Martínez Sierra and his wife, María Martínez Sierra. (Unlike most Spanish women, María took her husband’s name...

...Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—has become preeminent in the world of Spanish flamenco...

...Given the international renown and popularity of flamenco, including in the Anglophone world, there has been a surprising dearth of English-language publications on flamenco. This volume is a genre study, constituting the first rigorously scholarly book in English--or, for that matter, in any...

...: This chapter explores a set of interpretive themes relevant to modern flamenco culture. One of these is the social geography of the genre, involving the roles of distinctive locales in historical development and contemporary relations, including controversies about the predominance of Andalusia...

... that was both modern and Spanish, defining it as a verismo role while critically engaging with the layers of Hispanic stereotype it had accrued. Andalusian identity Calvé Emma exoticism Fons Elena Gay Maria Roda Cecilio de verismo Alfonso XII Blas Vega José European politics flamenco malagueña...