... become a soggetto for the next phrase, and the process can be repeated in subsequent phrases. This study shows how comporre di fantasia functions in passages from Martini, Févin, Isaac, and Josquin. The technique can also inform our understanding of canon composition, which is illustrated...

...Erin Sullivan This special issue explores the meeting point between classic literature and digital culture, examining how and why adaptors have drawn on digital tools to reimagine older and often canonical texts. It emerged out of a year-long project, called ‘Remixing the Classics’, which brought...

... engagement with postcolonial and critical race theorists, as much as African authors and authors from the African diaspora engaging meaningfully with the Greco-Roman traditions. Decolonization Diversification Academic syllabi Canon Classics Ancient Africa In 2017 I was offered the opportunity to design...

... Molière’. Molière Hôtel Guénégaud Comédie-Française theatre administration casting revival canon repertoire double bill programming As we approach the four hundredth anniversary of his birth, Molière is undoubtedly the most celebrated of all French playwrights, consistently translated, adapted...

... in particular) in order to determine how their design, including required readings and other pedagogical choices in the classroom, contributes to the explicit diversity needed to push IR beyond its usual canon. The findings suggest that although more perspectives have become accepted or recognized, what...

.... By examining some characteristic touches of Josquin’s hand, it aims to shed new light on the later style of this celebrated yet enigmatic composer, and contributes to the debate about what makes Josquin sound like Josquin. Specifically, it looks at how Josquin sometimes interlocked passages of canon...

...-publication-reuse-rights ) Abstract No less contentious today than a generation ago, the Josquin canon has sparked confusion since well before the composer’s death. Although modern scholars have repeatedly confronted the problem, until recently it has not been possible to tackle it from the ground up...

... could also describe the difference by drawing upon a pitch/rhythm analogy proposed by Jeff Pressing and Jay Rahn ⁹ that has proved effective in previous analyses of Reich’s canon-based music. ¹⁰ They describe the standard pattern as “diatonic,” meaning that it reproduces the same...

... and tune. This canonic spine, manipulated in various ways, supports all seven sections of Richafort’s setting. © The Author(s) 2020. Published by Oxford University Press. All rights reserved. 2020 This article is published and distributed under the terms of the Oxford University Press, Standard Journals...

... Journals Publication Model ( https://dbpia.nl.go.kr/journals/pages/open_access/funder_policies/chorus/standard_publication_model ) Abstract Although over two dozen Arabic commentaries on the Canon of Medicine were composed between the twelfth and fourteenth centuries, historians of medicine...

... associations, plucked for plum editorships of top-ranked journals in the field. Their work, more often than not, finds its way into the proverbial canon, appearing at conferences and in field-shaping anthologies, and tracking feedback loops that, in turn, position them as experts, the leading thinkers...

...Matthew A. Haakenson Questions of this sort have undoubtedly plagued students, theorists, composers, and Bach aficionados for years. As musicians, we want to comprehend the secrets of the Goldberg ground’s initial eight notes and their inherent canonic potential. By nature, we are driven...

... in early modern Europe’, under the auspices of the Greek Musicological Society. [email protected] Yet the most striking and unique common feature of these canonic melodies, and one which has hitherto escaped the attention of musicologists, is their near-complete avoidance of any kind of internal...

...Sylvie Bouissou Abstract The Bresou manuscript (Paris, Bibliothèque Nationale de France (Conservatoire), Rés. f.1212) contains 86 canons ‘attributed to Rameau’ according to an annotation found on the second title-page. After discovering this manuscript in 2006, I identified four...

...Zoe Saunders Abstract It is well known that composers of Renaissance polyphony often incorporated in their works elements that carried extra-musical associations. Sixteenth-century polyphonic settings of the Agnus Dei were often especially rich in symbolism, through various devices: canonic tenors...

...Tsuyoshi Takeuchi; Shinji Yabuta; Yoshitaka Tsubaki butterfly cognition contest damselfly display dragonfly Lloyd Morgan’s Canon territory The above argument indicates that when the war of attrition model is applied to real animal contests, it is essential to detect the cost imposed...

..., surrealist, philosopher and, finally, canonical author. As well as examining the editorial matter of various introductions, this article also explores the dubious seductions practised by the cover art of recent Sade editions. Sade sexology bibliophiles cover art paratext introduction canon...

... impulses towards the creation of literary hierarchies go hand-in-hand with negative attitudes towards appropriation throughout the history of literature. literary emulation eighteenth-century novel reviews canon formation sentimental novels female writers literary hierarchies In a 1777 issue...

... on not only the content of the narrative but also the nature of the procedure of reading. Such a strategy allows Corelli's romance to participate safely in the kinds of literary transgressions enacted in the work of her since-canonized contemporaries such as Thomas Hardy and Oscar Wilde. The narrative mode...

... by James Tenney in which polyrhythmic arrays of both sorts supply fundamental musical material, and whose formal design involves a transition between the two array types. A detailed correspondence between pitch and rhythmic structures in that work is also examined. canon Cowell Farey polyrhythm...