.../standard-publication-reuse-rights ) Abstract This paper introduces a concomitant-variable hidden semi-Markov model tailored to analyse marine count data in the Venice lagoon. Our model targets acqua alta events, i.e. the exceedances of flooding limits, addressing the prevalent zero counts within...

... by John Vanbrugh and later by the Royal Academy of Music and adds to our knowledge of the history of opera in London in its so-called ‘critical decade’. Most important was his mission to Venice in 1707–8. Although no evidence has emerged that Manchester met Handel in Venice or extended to him...

... attempted to identify him. The general consensus seems to be that not one musician in the series can be named conclusively, but the Prado painting’s organist was for some time believed to be Girolamo Parabosco (1524–57), organist at St Mark’s in Venice in the 1550s, while the Berlin painting’s organist has...

... and international circles as well as the celebrated quality of his works. Between 1564 and 1566, for example, Gabrieli secured an appointment as organist at the ducal basilica of San Marco—among the most significant music positions in Venice given the centrality of San Marco to Venetian civic and religious life...

..., and the rooms in which they were found and potentially used. Such inventories, through their employment of simple language and stock descriptive adjectives, offer strong insights into ordinary lives in Renaissance Venice, including the domestic lives of the otherwise invisible musical women of the Venetian...

... visual ambiguity and unresolved narrative tension to their frankness and specificity. strambotto lute harpsichord madrigal concert painting courtesan virtuosa Venice This article explores the visual depiction of sexual proposition, the debasement of female ­virtue and virtuosity...

... been solely to send reports of the performance to the imperial court, but the result constitutes a rare example of late 17th-century music criticism. 17th-century opera Venice Antonio Cesti performance practice opera staging Leopold I librettos Late 20th-century musicological and literary...

... Journals Publication Model ( https://dbpia.nl.go.kr/journals/pages/open_access/funder_policies/chorus/standard_publication_model ) Abstract The primary purpose of this article is to survey the issue of oikonomia and risk management in Shakespeare’s The Merchant of Venice in terms of economic...

...Deborah Casewell It is in Death in Venice in particular that Mann’s philosophical influences are evident and these provide the means by which to explore the continuation and contrast with Hegel’s own understanding of truth and beauty. Mann’s key philosophical influences are Schopenhauer...

...:https://dbpia.nl.go.kr/journals/pages/open_access/funder_policies/chorus/standard_publication_model ) ABSTRACT This article offers a detailed critical appraisal of the Venice Principles on the Protection and Promotion of the Ombudsman, adopted in 2019 by the Venice Commission of the Council of Europe. It praises them...

...:https://dbpia.nl.go.kr/pages/standard-publication-reuse-rights ) Although only a shadow of its former glory, in the mid-nineteenth century, Venice was still one of the largest Italian cities, with over 130,000 inhabitants. Each year, there were about 4,000 births and a similar number of deaths. Mortality was above 30...

... records provide details of Lotti’s birth and baptism in Venice, and no evidence can be found of Antonio’s father, Mattio Lotti, working in Hanover. The reason for the misunderstanding is explored, revealing that Mattio Lotti may have used the name Matthio Trento in Hanover. Documentary evidence also...

...Paola Besutti © The Author 2017. Published by Oxford University Press. All rights reserved. 2017 Abstract In 1627, describing the economic situation of a bass singer in Venice who was being considered for service in Mantua, Monteverdi articulated the main goal of any musician: ‘to enjoy...

... contexts; and on the other, the tendency to grant Monteverdi too great an influence over other musicians in Venice in this period. To avoid these pitfalls, we must strive to define the musical and socio-cultural realities of Venice in the first four decades of the 17th century—by way of paying renewed...

... could rely on any membership of medical corporations or artisanal guilds. These are the main biographical coordinates of Giuseppe Felice Maria Scutellio and his family in Trent. In 1710 or shortly before he moved to Venice, where he would definitely have benefited from a more lively market for his...

... be imagined. art South Africa Truth and Reconciliation Commission apartheid Venice Biennale Fourteen sets of black headphones hang in a row. Inside each earpiece are the sounds of singing, orchestral music, sobbing and spoken testimonies – the sighing of ‘verbalised punctuation.’ ² At either...

... and ethnic colourings in music (as shown by a case-study on ‘Scottish’ music). quantitative analysis Big Data network diagram visualization RISM music printing Giovanni Pierluigi da Palestrina Henry Purcell Scottish music Venice Big Data has been defined as information that requires special...

... the established generic hierarchies, was particularly strong in Venice, not only because of the domination of classicist aesthetics, but also because ‘theatre held sway over [its] social and artistic world’. ²⁸ However, la Serenissima was also the ‘big bookstore’ of Italy, through which...

... the fact that Thomas Mann’s Der Tod in Venedig (Death in Venice, 1912) does not portray male same-sex love and desire particularly positively—ending, as it does, with the apparent disgrace and death of the protagonist, Gustav von Aschenbach—it remains a perennial classic of gay...

... on himself. His relationship to Cardinal Carlo Carafa (d.1561), along with the accusation that he had committed a murder in his home town of Bitonto, caused Pope Pius IV to expel him from the papal chapel and forced him to spend years in exile in Venice where, among other things, he seems to have composed...