... alluding to music can act as immersive spaces, contending that abstraction and temporality are drawn out in painting by virtue of an appeal to music. Dante Gabriel Rossetti music bower Bergson correspondences Pre-Raphaelite Ghirlandata Veronese immersion The word ‘bower’ raises images of groves...

... (1888–1965) and César Vallejo (1892–1938), comparing and contrasting their perceptions of time as simultaneity, following the philosophy of Henri Bergson (1859–1941). Simultaneity is for both poets a way of reconnecting with the past, and making the present a more endurable experience. This paper looks...

...This chapter addresses whether Gilles Deleuze's own ideas about immanence are themselves consistent. It is Henri Bergson's differentiation of two fundamental kinds of intuition — the spatial and the durational — that adds the decisive twist in the history of Kantianism. His theory of space...

... philosophy in the aftermath of the critiques that haven been formulated with respect to it in the beginning of the 20^th century, most notably by pragmatism, Bergsonism, and phenomenology? Which are the instruments thanks to which speculative philosophy can enlarge the field of thought in order...

... temporal strands and rhythms interweave in the duration of a film. Doane Mary Ann photogénie Stern Lesley Bergson Henri moments Benjamin Walter indexicality painting close up Epstein Jean senses cinephilia photography Balázs Béla Deleuze Gilles Metz Christian music psychoanalysis affect...

...This chapter discusses intuition as the method in Henri Bergson's overall philosophical project, a rethinking of metaphysics in terms of duration — that is, time as opposed to space. ‘Intuition is neither a feeling, an inspiration, nor a disorderly sympathy, but a fully developed method’, notes...

... is on the invariant and collective, future-directed “aspiration” of Henri Bergson's second source: the “forward thrust” and “demand for movement” that subject the precarious entities of self and society in an uncertain world to inherently unpredictable transformation. Divination and spirit possession likewise serve...

... Oceania to India, Africa, Siberia, and especially the Americas. In theorizing about the quest, the book draws on thinkers as diverse as Henri Bergson and Jean Piaget, Arnold van Gennep and Victor Turner, Charles Sanders Peirce and Karl Popper, Sigmund Freud, Charles Darwin, and Noam Chomsky....

... of this chapter, which focuses on a certain notion of the contemporaneous, I thus expand and incorporate the fissures of Deleuze’s time-image into the previous (Kantian) image of reasoning. Drawing on Bergson’s ‘gigantic memory’ which makes his idea of virtuality a permanent intensifying structure, I explore...

... Pound Ezra School of Images Vorticism Bergson Henri Flint F S Fry Roger post impressionism Apollinaire Guillaume Futurism Kandinsky Wassily Larionov Mikhail Marinetti Filippo Rebel Art Centre Williams Raymond Zdanevich Ilia Butler Christopher Ford Ford Madox Said Edward Arnold Matthew...

...Orlando and other texts express Woolf’s interest in subjective ‘time in the mind’, an interest she shared with other modernists who challenged chronological norms, but Woolf explored other forms of time as well. Some align her work with the theories of Henri Bergson, Mikhail...

... Bergson Henri Charcot Jean Martin Nietzsche Friedrich Schopenhauer Arthur instinct intellect and intuition knowledge Odette de Crécy fictional character love interest of Swann Poulet Georges Swann Charles fictional character Jewish member of high society family friend art involuntary memory...

..., and conceptions of memory, temporality, and contingency from Henri Bergson and Marcel Proust to Gilles Deleuze. Centrifugal Centripetal Cinema and aviation Citizen Kane Orson Welles 1941 Hansen Miriam Bratu History Hitchcock Alfred The Birds 1963 Holocaust the Shoah Melancholia Memory Paris Public...

... Walter Hayek Friedrich von bourgeois intelligentsia ethical philosophy European ethical philosophy intelligentsia philosophy socialization Bergson Henri Böhm Franz Eucken Rudolf Freud Sigmund Hartmann Nikolai Husserl Edmund James William Kant Immanuel Marx Karl Moore George Nietzsche...

...This chapter explores Deleuze’s idiosyncratic use of the image, mapping its emergence from the philosophy of Henri Bergson, and charting its development in his two-volume study of cinema. According to this Deleuzo-Bergsonian approach, the image is no longer a derived or secondary “representation...

...This chapter examines the influence of Henri Bergson on Gilles Deleuze's philosophy. It explains that Deleuze was largely responsible for the renewed interest in the philosophy of Bergson, which was laid to rest in many circles as far back as 1962. The chapter discusses how Deleuze commended...

... Hegel G W F illusions ontology Bergson H Guattari F harmony Spinoza B traditions universals assemblage chaos emanation milieu network of power plane of immanence strata virtual bloc of becoming fixture force relations plane of composition desiring production grammar different...

... through which they pass. To this end, it considers the association between driving and phenomenology – how driving can facilitate and promote phenomenological thought – along with other psychological and philosophical models (most notably W.H. Gombrich theory of ‘schema and correction’ and Henri Bergson...

... as a continuous force of change. In particular, it asks if there are potential relations that can bridge the way back to a cinematic image of time. To this end, it considers Gilles Deleuze’s “time-image” in relation to Henri Bergson’s work and Yasujiro Ozu’s movies. It also discusses Garret Stewart’s notion...

... sense sexist sense singularity thinking thought image of What is Philosophy? Deleuze and Guattari Bergson Henri difference s dramatisation actualisation genesis dynamic and static Husserl Edmund ‘I’ fractured inequality Kant Immanuel memory second passive synthesis problem Idea nexus...