... was marketed and received by the reading public in Britain and America, examining publishing houses (including Heinemann, Duckworth, T. Fisher Unwin and Mitchell Kennerley) and literary journals and magazines (such as the New Age, the English Review, Madame, Rhythm and Forum)....

... age. Finally, it looks at the achievements of individual publishing houses in Ireland. Bloody Sunday 1972 Britain Corcoran Neil Faber and Faber Field Day publications Heaney Seamus Northern Ireland Dolmen Press Eliot T S Ling Ruth Miller Liam Monteith Charles New Statesman Beckett Samuel...

... what kind of novel it was. While Cornelia Nixon had developed a reputation as an author of literary fiction, Jarrettsville's plot makes it more the stuff of popular fiction. The chapter first considers how publishing houses need to strike a balance between artistic and commercial books...

...This chapter draws entirely on Yi sources—in this case, Nuosu-language versions of several Yi classics that have recently been edited and published by minzu publishing houses—to reconstruct the possible origins and much of the cultural history of Liangshan before the Yuan dynasty...

...This book discusses the fundamental ways through which western cultures became bibliographic cultures, which was was through reading literature. As books streamed in ever greater numbers from publishing houses in London, Philadelphia, Paris, Stuttgart, and Berlin, romantic writing and romantic...

...This chapter discusses the publishing industry in nineteenth-century Limerick. As the city had no specialist publishing houses, the role of publisher was performed by individual printers. Publishing was essentially local in focus in terms of subject matter, readership, and distribution. Its...

...This book is concerned with the reading public which Wilkie Collins and George Orwell tried to describe, during the period when Orwell wrote and which Collins would have recognised: from 1914 until 1950. The book examines three publishing houses, noting in particular their complicated editorial...

... and forerunner of ‘generational catastrophism’, as opposed to ‘historiosophic catastrophism’. Ultimately, Polish poets writing and publishing their booklets of poems during the occupation in clandestine publishing houses used allusion and silence not just as a means of expression, but also as a precaution...

... is concerned with assessing the specific achievements of some of Ireland’s most culturally significant publishing houses....

...At the turn of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's “bookish” culture. According to this book, romantic writing and romantic writers...