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Volume 61, Issue 2, Summer 2020
ORIGINAL ARTICLES
Framing aquatic life
Screen, Volume 61, Issue 2, Summer 2020, Pages 169–190, https://doi.org/10.1093/screen/hjaa013
Slow waters: Marco Berger’s Taekwondo and the queer erotics of boredom
Screen, Volume 61, Issue 2, Summer 2020, Pages 191–206, https://doi.org/10.1093/screen/hjaa015
Cinematic guerrillas in Mao’s China
Screen, Volume 61, Issue 2, Summer 2020, Pages 207–229, https://doi.org/10.1093/screen/hjaa017
Race, authorship and film quotation in post-classical cinema
Screen, Volume 61, Issue 2, Summer 2020, Pages 230–254, https://doi.org/10.1093/screen/hjaa012
The haecceity effect: on the aesthetics of cinephiliac moments
Screen, Volume 61, Issue 2, Summer 2020, Pages 255–271, https://doi.org/10.1093/screen/hjaa016
DOSSIER
Cinema’s natural aesthetics: environments and perspectives in contemporary film theoryIntroduction
Screen, Volume 61, Issue 2, Summer 2020, Pages 272–279, https://doi.org/10.1093/screen/hjaa014
A curious realism: redeeming Kracauer’s film theory through Whitehead’s process philosophy
Screen, Volume 61, Issue 2, Summer 2020, Pages 280–287, https://doi.org/10.1093/screen/hjaa024
‘The surface becomes a part of the atmosphere’: light as medium in László Moholy-Nagy’s aesthetics of dematerialization
Screen, Volume 61, Issue 2, Summer 2020, Pages 288–295, https://doi.org/10.1093/screen/hjaa027
Towards a natural history of animated backgrounds
Screen, Volume 61, Issue 2, Summer 2020, Pages 296–305, https://doi.org/10.1093/screen/hjaa028
Deep time in Cave of Forgotten Dreams
Screen, Volume 61, Issue 2, Summer 2020, Pages 306–314, https://doi.org/10.1093/screen/hjaa025
The Anthropocene Project and the archiviolithic imaginary
Screen, Volume 61, Issue 2, Summer 2020, Pages 315–321, https://doi.org/10.1093/screen/hjaa026
REVIEWS
Steve Neale (ed.), Silent Features: The Development of Silent Feature Films 1914–1934
Screen, Volume 61, Issue 2, Summer 2020, Pages 322–325, https://doi.org/10.1093/screen/hjaa019
James Leo Cahill, Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé
Screen, Volume 61, Issue 2, Summer 2020, Pages 325–338, https://doi.org/10.1093/screen/hjaa021
Martine Beugnet, Allan Cameron and Arild Fetveit (eds), Indefinite Visions: Cinema and the Attractions of Uncertainty
Screen, Volume 61, Issue 2, Summer 2020, Pages 329–331, https://doi.org/10.1093/screen/hjaa022
Martin Shuster, New Television: The Aesthetics and Politics of a Genre
Screen, Volume 61, Issue 2, Summer 2020, Pages 331–333, https://doi.org/10.1093/screen/hjaa020
Annabelle Honess Roe and Maria Pramaggiore (eds), Vocal Projections: Voices in Documentary
Screen, Volume 61, Issue 2, Summer 2020, Pages 333–336, https://doi.org/10.1093/screen/hjaa023
Dan Bashara, Cartoon Vision: UPA Animation and Postwar Aesthetics
David McGowan, Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts
Screen, Volume 61, Issue 2, Summer 2020, Pages 336–338, https://doi.org/10.1093/screen/hjaa018
CONTRIBUTORS
Contributors
Screen, Volume 61, Issue 2, Summer 2020, Pages 339–341, https://doi.org/10.1093/screen/hjaa030
