Issue navigation
Volume 53, Issue 4, Winter 2012
ARTICLES
The foreignness of Jules Dassin: notes on cosmopolitan authorship
Screen, Volume 53, Issue 4, Winter 2012, Pages 339–358, https://doi.org/10.1093/screen/hjs037
The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film
Screen, Volume 53, Issue 4, Winter 2012, Pages 359–380, https://doi.org/10.1093/screen/hjs033
The 3-D aesthetic: Avatar and hyperhaptic visuality
Screen, Volume 53, Issue 4, Winter 2012, Pages 381–397, https://doi.org/10.1093/screen/hjs035
Image power: seriality, iconicity and The Mask of Fu Manchu
Screen, Volume 53, Issue 4, Winter 2012, Pages 398–417, https://doi.org/10.1093/screen/hjs036
The spectral soundscapes of postsocialist China in the films of Jia Zhangke
Screen, Volume 53, Issue 4, Winter 2012, Pages 418–435, https://doi.org/10.1093/screen/hjs034
THE CHILD PERFORMANCE DOSSIER
Child Performance Dossier Introduction
Screen, Volume 53, Issue 4, Winter 2012, Pages 436–439, https://doi.org/10.1093/screen/hjs047
There's more than one George Bailey! The sharing of character between child actor and adult star in It's a Wonderful Life
Screen, Volume 53, Issue 4, Winter 2012, Pages 440–446, https://doi.org/10.1093/screen/hjs048
A High Wind in Jamaica: blank looks and missing voices
Screen, Volume 53, Issue 4, Winter 2012, Pages 447–452, https://doi.org/10.1093/screen/hjs049
Watchable bodies: Salò's young non-actors
Screen, Volume 53, Issue 4, Winter 2012, Pages 453–458, https://doi.org/10.1093/screen/hjs050
The tears of Henry Thomas
Screen, Volume 53, Issue 4, Winter 2012, Pages 459–464, https://doi.org/10.1093/screen/hjs051
‘Yes Sir, that's my baby’: infancy and performance in Heartburn, or the business with the banana
Screen, Volume 53, Issue 4, Winter 2012, Pages 465–470, https://doi.org/10.1093/screen/hjs052
Suspended moments: child performance in Ratcatcher
Screen, Volume 53, Issue 4, Winter 2012, Pages 471–476, https://doi.org/10.1093/screen/hjs053
REVIEWS
Film and Female Consciousness: Irigaray, Cinema and Thinking Women
Screen, Volume 53, Issue 4, Winter 2012, Pages 477–480, https://doi.org/10.1093/screen/hjs042
Film and Attraction: from Kinematography to Cinema
Screen, Volume 53, Issue 4, Winter 2012, Pages 480–483, https://doi.org/10.1093/screen/hjs041
The Filming of Modern Life: European Avant-Garde Film of the 1920s
Screen, Volume 53, Issue 4, Winter 2012, Pages 483–486, https://doi.org/10.1093/screen/hjs038
Flickers of Desire: Movie Stars of the 1910s
Twilight of the Idols: Hollywood and the Human Sciences in 1920s America
Screen, Volume 53, Issue 4, Winter 2012, Pages 486–490, https://doi.org/10.1093/screen/hjs046
Translating Popular Film
Screen, Volume 53, Issue 4, Winter 2012, Pages 490–492, https://doi.org/10.1093/screen/hjs040
Legitimating Television: Media Convergence and Cultural Status
Screen, Volume 53, Issue 4, Winter 2012, Pages 492–495, https://doi.org/10.1093/screen/hjs043
Paranormal Media: Audiences, Spirits and Magic in Popular Culture
Screen, Volume 53, Issue 4, Winter 2012, Pages 495–498, https://doi.org/10.1093/screen/hjs044
Television as New Media
Screen, Volume 53, Issue 4, Winter 2012, Pages 498–501, https://doi.org/10.1093/screen/hjs039
Saving Cinema: the Politics of Preservation
Screen, Volume 53, Issue 4, Winter 2012, Pages 501–503, https://doi.org/10.1093/screen/hjs045
CONTRIBUTORS
Contributors
Screen, Volume 53, Issue 4, Winter 2012, Pages 504–505, https://doi.org/10.1093/screen/hjs054
NOTES TO CONTRIBUTORS
Notes to Contributors
Screen, Volume 53, Issue 4, Winter 2012, Page 506, https://doi.org/10.1093/screen/hjs055
