
Contents
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“We do view” “We do view”
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“The rising race” “The rising race”
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An Imaginary Person An Imaginary Person
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An American Lyric An American Lyric
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Minstrel Reading Minstrel Reading
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The Continuity of American Poetry The Continuity of American Poetry
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Cite
Abstract
This chapter shows that this very White idea of lyric is in fact a raced illusion that was composed in response to Black and Indigenous figures in late-eighteenth- and early-nineteenth-century American poetics. The chapter highlights that it was also an illusion firmly grounded in a history of American lyricization in which Black poets framed it as a raced and gendered imaginary. Indigenous poets did, too, especially by the end of the nineteenth century, as did Spanish American and, later, Asian American poets, but the chapter focuses on the dialectical relation between Black and White poetics because that dialectic was so foundational to the poetry of the early nineteenth century. The chapter also hopes to show that many versions of Black poetics were internal rather than marginal to the larger web of American poetics. While the history of American racialization certainly cannot be reduced to an image in black and white, the chapter primarily concerns how “the afterlife of slavery” (to use Saidiya Hartman's phrase) emerged from, and in, and as the history of American poetics that began when slavery was still very much alive.
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