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Orpheus, Famous-of-Name: Transporting the Myth from Greece to Rome to England Orpheus, Famous-of-Name: Transporting the Myth from Greece to Rome to England
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Literary Method: Philology, Natural Philosophy, and the Orphic Bonds of Eloquence Literary Method: Philology, Natural Philosophy, and the Orphic Bonds of Eloquence
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The Figurative Itineraries of Orphic Eloquence: Temptare and the Trial The Figurative Itineraries of Orphic Eloquence: Temptare and the Trial
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Cite
Abstract
This chapter unfolds the questions of how do words produce action, and how do early modern English writers conceptualize the unseen “force” of verbal eloquence. By providing a parable of the hidden force of verbal eloquence, the chapter elucidates the myth of Orpheus which enables the epistemology of the early modern language arts. In the sixteenth century, as the chapter argues, the English arts of rhetoric and poetics used the tale of Orpheus to transform the force of verbal eloquence into an object of knowledge. The chapter emphasizes that the Orpheus myth provides a way for early modern English poets and rhetors to conceptualize and enact the force of eloquence. The chapter demonstrates how the problem of action-at-a-distance informs the practice of rhetoric: the skilled rhetor must develop techniques that allow the practitioner to manipulate the occult relations between the world's parts so as to act on things from afar. The chapter then asserts that the Orpheus myth is an instrument of knowledge production for early modern rhetoric and poetics, helping writers to posit the force of verbal energeia as an overwhelming action-at-a-distance.
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