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Volume 39, Issue 1-2, Winter-Spring 2023
Articles
“To see what lovely Japanese our young people can be”: American Jewish Community Performance, Racial Appropriation, and Gilbert and Sullivan’s Mikado, 1885–1939
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 1–29, https://doi.org/10.1093/oq/kbae010
Transcribing Disnarration
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 30–61, https://doi.org/10.1093/oq/kbae011
Puccini’s Material Girls: Tensions of the Spiritual Body in Le Villi
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 62–90, https://doi.org/10.1093/oq/kbae014
Between Exclusivity and Accessibility: An Analysis of Instagram Branding at Two Nordic Opera Companies
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 91–112, https://doi.org/10.1093/oq/kbae015
Reviews
Dallapiccola’s Ulisse in Frankfurt
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 113–135, https://doi.org/10.1093/oq/kbad006
Omar at the San Francisco Opera
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 136–150, https://doi.org/10.1093/oq/kbae013
The Tense Present
The Opera Quarterly, Volume 39, Issue 1-2, Winter-Spring 2023, Pages 151–158, https://doi.org/10.1093/oq/kbae012
