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3 The Politics of Early Twentieth-Century U.S. Literary History
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Published:November 2014
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Abstract
This chapter demonstrates two of the problems that face late-twentieth-century emergent writers: their marginalization by those who make the canons of literature that are celebrated and taught, and the lure of the literary solutions that earlier emergent literatures seem to offer to the problem of canonization. The canon of “American Literature” to which these writers are responding was largely the product of America's participation in the twentieth century's two world wars; the chapter traces this history from the “revival” of Herman Melville's work to post-World War II issues of canonization. Caught within these debates over the years are emerging minority cultures struggling to question, represent, and even transcend dominant interpretations of ethnic minorities, espousing the cosmopolitan ideal of sameness across difference, which echoes Melville's own character in Moby-Dick, Ishmael—who is ostensibly named after a Biblical outsider.
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