
Published online:
18 September 2014
Published in print:
28 May 2007
Online ISBN:
9781469604534
Print ISBN:
9780807831069
Contents
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2 Where Would the Negro Women Apply for Work? Wartime Clashes over Labor, Gender, and Racial Justice
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Historical Memory and the Racial Geography of Moviegoing Historical Memory and the Racial Geography of Moviegoing
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Race and Movie Censorship before the Second World War Race and Movie Censorship before the Second World War
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Motion Pictures and the Struggle to “Liberate Our Own Minds” Motion Pictures and the Struggle to “Liberate Our Own Minds”
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“Mental Liberties”: Movie Censorship after the War “Mental Liberties”: Movie Censorship after the War
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“Talking to the People No One Wanted to Talk To”: Black Radio “Talking to the People No One Wanted to Talk To”: Black Radio
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From Martha Jean “the Queen” to “Hot Rod” Hulbert From Martha Jean “the Queen” to “Hot Rod” Hulbert
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Race, Radio, and Religion Race, Radio, and Religion
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On-Air Community and Politics On-Air Community and Politics
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Chapter
5 Our Mental Liberties: Banned Movies, Black-Appeal Radio, and the Struggle for a New Public Sphere
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Pages
142–182
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Published:May 2007
Cite
Green, Laurie B., 'Our Mental Liberties: Banned Movies, Black-Appeal Radio, and the Struggle for a New Public Sphere', Battling the Plantation Mentality: Memphis and the Black Freedom Struggle (Chapel Hill, NC , 2007; online edn, North Carolina Scholarship Online, 18 Sept. 2014), https://doi.org/10.5149/9780807888872_green.8, accessed 15 May 2025.
Abstract
This chapter examines how postwar consumption of mass culture, especially movies and radio, became a locus of racial struggle in Memphis during the 1940s. It considers how the city's board of censors tried to impose on the silver screen a racial imaginary harking back to slavery and how African Americans turned to black-appeal radio as a new public sphere to challenge racist stereotypes. The chapter discusses moviegoing as a central feature in the lives of black Memphians, especially young people, in the years following World War II. It also explores the issue of race in movie censorship before and after the war.
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