Starstruck in the Promised Land: How the Arts Shaped American Passions about Israel
Starstruck in the Promised Land: How the Arts Shaped American Passions about Israel
Cite
Abstract
From the days of steamship travel to Palestine to today's evangelical Christian tours of Jesus’s birthplace, the relationship between the United States and the Holy Land has become one of the world’s most consequential international alliances. While the political side of U.S.-Israeli relations has long played out on the world stage, the relationship, as Shalom Goldman shows in this illuminating cultural history, has also played out on actual stages. Telling the stories of the American superstars of pop and high culture who journeyed to Israel to perform, lecture, and rivet fans, Goldman chronicles how the creative class has both expressed and influenced the American relationship with Israel. The galaxy of stars who have made headlines for their trips includes Frank Sinatra, Johnny Cash, Leonard Bernstein, James Baldwin, Barbra Streisand, Whitney Houston, Madonna, and Scarlett Johansson. While diverse socially and politically, they all served as prisms for the evolution of U.S.-Israeli relations, as Israel, the darling of the political and cultural Left in the 1950s and early 1960s, turned into the darling of the political Right from the late 1970s. Today, as relations between the two nations have only intensified, stars must consider highly fraught issues, such as cultural boycotts, in planning their itineraries.
-
Front Matter
- Introduction Israel and America: Sharing the World Stage and the Performing Arts Stage
-
One
Sailing to Jerusalem: From the Early American Romance with the Holy Land to Palestine Mania (1817–1917)
-
Two
American Journalists, Artists, and Adventurers and the Zionist Movement (1917–1947)
-
Three
Mozart in the Desert: The American Creative Class and the Birth of Israel (1947–1957)
-
Four
Advocates for Zion: Sinatra, Steinbeck, Baldwin, and Bellow (1957–1967)
-
Five
Of Poets, Singers, and a Young Medic: Israel’s Battles and America’s Culture Wars (1967–1977)
-
Six
Israel at Thirty: Political Action, Messianic Expectations, and Literary Controversies (1977–1997)
-
Seven
Cross-Cultural Admiration and Upheaval: Three Divas and Bitter Critiques (1997–2017)
- Epilogue Israel at Seventy, Dancing on a World Stage
-
End Matter
Sign in
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Purchase
Our books are available by subscription or purchase to libraries and institutions.
Purchasing informationMonth: | Total Views: |
---|---|
October 2022 | 2 |
October 2022 | 2 |
October 2022 | 3 |
July 2024 | 1 |
July 2024 | 3 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 2 |
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.