Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War
Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War
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Abstract
In the 1950s and 1960s, images of children appeared everywhere, from movies to milk cartons. Their smiling faces were used to sell everything, including war. This book offers an unprecedented account of how Soviet and American leaders used emotionally-charged images of children to attempt to create compliance among their citizenry for their policies at home and abroad. In the end, however, no one could control these ubiquitous images or the meanings that they conveyed. Groups on both sides of the Iron Curtain pushed visions of napalmed, abandoned, and segregated children to indictthe state and its policies. Commonly, the Cold War is viewed as an ideological divide between the capitalist West and the communist East. Yet despite their differences, the book demonstrates a deep symmetry in how Soviet and American propagandists mobilized similar images to similar ends. Based on extensive research spanning fourteen archives and three countries, the book tells a new story of the Cold War, seeing the conflict not as a divide between East and West, but as a struggle between the producers of culture and their target audiences.
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Front Matter
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Introduction
Margaret Peacock
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I Building an Image, Building a Consensus
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II Revising an Ideal
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Conclusion
Margaret Peacock
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End Matter
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