
Contents
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Brazilian Modernism Brazilian Modernism
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The Forest and the School The Forest and the School
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The Cannibalist Gesture The Cannibalist Gesture
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Macunaíma And Music Macunaíma And Music
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Popular Music and the Mestiço Paradigm Popular Music and the Mestiço Paradigm
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Poetry for export: From Carmen Miranda to Tom Jobim Poetry for export: From Carmen Miranda to Tom Jobim
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Bossa Nova and Developmentalism Bossa Nova and Developmentalism
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Conclusion Conclusion
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1 Poetry for Export Modernity, Nationality, and Internationalism in Brazilian Culture
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Published:October 2001
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Abstract
Modernismo is a literary and cultural movement that emerged in the 1920s, which brought together artists who were devoted to the aesthetic development of Brazilian arts and letters in order to advance cultural nationalism. This chapter focus on two major modernist writers, Oswald de Andrade and Mário de Andrade, who both advanced projects for the renovation of Brazilian arts and letters. Oswald authored the most radical gestures of modernismo, which includes two celebrated manifestos: “Brazilwood Manifesto” (1924) and “Cannibalist Manifesto” (1928). On the other hand, Mário's pioneering work in musicology established a modern foundational discourse on Brazilian musical nationalism.
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