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Volume 42, Issue 2, Fall 2020
Articles
The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 173–192, https://doi.org/10.1093/mts/mtaa010
Between the Signposts: Thematic Interpolation and Structural Defamiliarization in Prokofiev’s Sonata Process
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 193–206, https://doi.org/10.1093/mts/mtaa004
Double-Tonic Complexes in Rock Music
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 207–226, https://doi.org/10.1093/mts/mtaa003
Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 227–246, https://doi.org/10.1093/mts/mtaa005
The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 247–259, https://doi.org/10.1093/mts/mtaa008
Contrapunto Fugato: A First Step Toward Composing in the Mind
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 260–279, https://doi.org/10.1093/mts/mtaa009
The Volta: A Galant Gesture of Culmination
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 280–304, https://doi.org/10.1093/mts/mtaa006
Examining Keyboard Bitonality in the Middle-Period Music of Karol Szymanowski
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 305–325, https://doi.org/10.1093/mts/mtaa007
Reviews
Composing Capital: Classical Music in the Neoliberal Era. By Marianna Ritchey
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 326–333, https://doi.org/10.1093/mts/mtaa012
Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. By Judy Lochhead
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Pages 334–339, https://doi.org/10.1093/mts/mtaa013
Contributors
Contributors
Music Theory Spectrum, Volume 42, Issue 2, Fall 2020, Page 340, https://doi.org/10.1093/mts/mtaa014
