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Volume 31, Issue 1, Spring 2009
Articles
Time Warps in Early Jazz
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 1–25, https://doi.org/10.1525/mts.2009.31.1.1
Signification of Parody and the Grotesque in György Ligeti's Le Grand Macabre
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 26–56, https://doi.org/10.1525/mts.2009.31.1.26
Between Modernism and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 57–100, https://doi.org/10.1525/mts.2009.31.1.57
Bach's Inventions: Figuration, Register, Structure, and the “Clear Way to Develop Inventions Properly”
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 101–152, https://doi.org/10.1525/mts.2009.31.1.101
Research Notes
Pitches (Pitch Classes) and Their Intervals are (Sets of) Numbers
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 153–156, https://doi.org/10.1525/mts.2009.31.1.153
Sectional Tonality and Sectional Centricity in Rock Music
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 157–174, https://doi.org/10.1525/mts.2009.31.1.157
Reviews
Remaking the Song: Operatic Visions and Revisions from Handel to Berio. By Roger Parker. Berkeley: University of California Press, 2006, xii + 165 pages
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 175–183, https://doi.org/10.1525/mts.2009.31.1.175
Baroque Counterpoint. By Peter Schubert and Christopher Neidhöfer. Upper Saddle River, N.J.: Pearson Prentice Hall, 2006, ix + 374 pages
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 183–192, https://doi.org/10.1525/mts.2009.31.1.183
Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. By Mark J. Butler. Bloomington: Indiana University Press, 2006, xi + 346 pages
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 192–199, https://doi.org/10.1525/mts.2009.31.1.192
Music in the Mirror: Reflections on the History of Music Theory and Literature for the Twenty-First Century. Edited by Andreas Giger and Thomas J. Mathiesen. Lincoln: University of Nebraska Press, 2002, ix + 331 pages
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 199–209, https://doi.org/10.1525/mts.2009.31.1.199
Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet. By Peter Smith. Bloomington: University of Indiana Press, 2005, ix + 325 pages
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Pages 210–223, https://doi.org/10.1525/mts.2009.31.1.210
Contributors
Contributors
Music Theory Spectrum, Volume 31, Issue 1, Spring 2009, Page 224, https://doi.org/10.1525/mts.2009.31.1.224
