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Contributors, Music Theory Spectrum, Volume 45, Issue 2, Fall 2023, Pages 369–370, https://doi.org/10.1093/mts/mtad023
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RICHARD ANATONE is Professor of Music Theory and Coordinator of Applied Music at Prince George’s Community College in Largo, MD, and holds a Doctor of Arts in Piano Performance. His primary research interests include musical and narrative meaning in video games and film, as well as rock form and aesthetics in early video game music. His edited collection The Music of Nobuo Uematsu in the Final Fantasy Series is available through Intellect Publishing, and he is the co-editor of the forthcoming collection Remediated Storytelling: The Convergence and Divergence of Music in Video Games and Film (Routledge, 2024).
RICHARD COHN is Battell Professor of Music Theory at Yale University, Founding Editor of Oxford Studies in Music Theory, and Executive Editor of the Journal of Music Theory. He is currently completing books on mathematical models of music, to be published by MIT Press, and on musical meter.
ANNE DANIELSEN is Professor of Musicology and Deputy Director of the RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion at the University of Oslo, Norway. She has published widely on theoretical, aesthetic, cultural, and perceptual aspects of rhythm, groove, and technology in postwar African-American popular music and is author of Presence and Pleasure: The Funk Grooves of James Brown and Parliament (2006) and Digital Signatures: The Impact of Digitization on Popular Music Sound (with Ragnhild Brøvig-Hanssen, 2016), and editor of Musical Rhythm in the Age of Digital Reproduction (2010/2016).
