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JON MARIUS AARESKJOLD-DRECKER is Associate Professor in Music Technology in the Department of Popular Music at the University in Agder, Norway. His background is in music production, where he has collaborated extensively with the US based Norwegian production teams Stargate and Espionage, working with artists such as Beyoncé, Train, and Rihanna. As an engineer, producer, and mixer, Aareskjold-Drecker has worked on a wide range of Grammy-winning productions within pop, rock, electronic music, urban, and jazz. His research focus is within production practice and immersive audio.

RAGNHILD BRØVIG-HANSSEN is Associate Professor in Popular Music Studies in the Department of Musicology, and a Research Fellow at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion, at the University of Oslo, Norway. She has published articles and book chapters on music production, digital media, remix and mashup music, rhythm and groove, and sound studies. She is the author of Digital Signatures: The Impact of Digitization on Popular Music Sound (with Anne Danielsen, MIT Press, 2016). She has been part of two research projects on rhythm at UiO and is currently leading a research project on mashup music, internet platforms, and copyright regulation.

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