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Eytan Agmon, Functional Harmony Revisited: A Prototype-Theoretic Approach, Music Theory Spectrum, Volume 17, Issue 2, Fall 1995, Pages 196–214, https://doi.org/10.2307/745871
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Abstract
From a prototype-theoretic point of view the three harmonic functions known as tonic, subdominant, and dominant are three (partially-overlapping) chord-categories; and the three primary triads, namely I, IV, and V, are prototypes of these categories, respectively. A theory is proposed, which accounts for these categories and prototypes.
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© 1995 by the Society of Music Theory, Inc.
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