1-20 of 3953
Save search
Sort by
Journal Article

Public Music Theory: A Note from the Editorial Team Get access

PDF
Music Theory Spectrum, mtaf005, https://doi.org/10.1093/mts/mtaf005
Published: 17 April 2025
Journal Article

Public Music Theory: A Way of Understanding Get access

PDF
Benjamin S Graf
Music Theory Spectrum, mtaf004, https://doi.org/10.1093/mts/mtaf004
Published: 25 March 2025
Journal Article

How Music Theory Went Online Get access

PDF
Miriam Piilonen
Music Theory Spectrum, mtaf002, https://doi.org/10.1093/mts/mtaf002
Published: 11 March 2025
Image
An internet meme about music theory being shared and discussed in 2022

An internet meme about music theory being shared and discussed in 2022 Get access

Published: 11 March 2025
Example 1. An internet meme about music theory being shared and discussed in 2022
Journal Article

Public Music Theory: An Introduction Get access

PDF
Stephen Rodgers
Music Theory Spectrum, mtaf003, https://doi.org/10.1093/mts/mtaf003
Published: 05 March 2025
Image
“Bell’alme generose,” mm. 31–32, from Act 2 of Rossini’s Elisabetta, re...

“Bell’alme generose,” mm. 31–32, from Act 2 of Rossini’s Elisabetta, re... Get access

Published: 19 February 2025
Example 1. “Bell’alme generose,” mm. 31–32, from Act 2 of Rossini’s Elisabetta, regina d’Inghilterra (1815) as cited in Marx (1826 , 198)
Image
“Cenerentola vien qua,” mm. 215–26, from Act 1 of Rossini’s La Cenerent...

“Cenerentola vien qua,” mm. 215–26, from Act 1 of Rossini’s La Cenerent... Get access

Published: 19 February 2025
Example 4. “Cenerentola vien qua,” mm. 215–26, from Act 1 of Rossini’s La Cenerentola
Image
“Cenerentola vien qua,” mm. 215–26, from Act 1 of Rossini’s La Cenerent...

“Cenerentola vien qua,” mm. 215–26, from Act 1 of Rossini’s La Cenerent... Get access

Published: 19 February 2025
Example 4. “Cenerentola vien qua,” mm. 215–26, from Act 1 of Rossini’s La Cenerentola
Image
“Tocchiamo, beviamo,” mm. 1–6, from Act 1 of Rossini’s La gazza ladra...

“Tocchiamo, beviamo,” mm. 1–6, from Act 1 of Rossini’s La gazza ladra... Get access

Published: 19 February 2025
Example 5. “Tocchiamo, beviamo,” mm. 1–6, from Act 1 of Rossini’s La gazza ladra
Image
Locations of /r/ within Ferretti’s ottonario meter

Locations of /r/ within Ferretti’s ottonario meter Get access

Published: 19 February 2025
Example 6. Locations of /r/ within Ferretti’s ottonario meter
Image
(a) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di...

(a) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di... Get access

Published: 19 February 2025
Example 9. (a) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di Siviglia , mm. 1–5 (b) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di Siviglia , mm. 19–22 (c) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di Siviglia , mm. 43–51
Image
Haydn, Symphony No. 88, fourth movement, mm. 1–12

Haydn, Symphony No. 88, fourth movement, mm. 1–12 Get access

Published: 19 February 2025
Example 16. Haydn, Symphony No. 88, fourth movement, mm. 1–12
Image
List of Rossini’s commonly used reizend disruptors of sentimental ...

List of Rossini’s commonly used reizend disruptors of sentimental ... Get access

Published: 19 February 2025
Example 2. List of Rossini’s commonly used reizend disruptors of sentimental song
Image
“Tocchiamo, beviamo,” mm. 1–6, from Act 1 of Rossini’s La gazza ladra...

“Tocchiamo, beviamo,” mm. 1–6, from Act 1 of Rossini’s La gazza ladra... Get access

Published: 19 February 2025
Example 5. “Tocchiamo, beviamo,” mm. 1–6, from Act 1 of Rossini’s La gazza ladra
Image
(a) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di...

(a) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di... Get access

Published: 19 February 2025
Example 9. (a) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di Siviglia , mm. 1–5 (b) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di Siviglia , mm. 19–22 (c) “Mille grazie,” from Act 1 introduction of Rossini’s Il barbiere di Siviglia , mm. 43–51
Image
“O quante lagrime,” from Act 1 of Rossini’s La donna del lago, mm....

“O quante lagrime,” from Act 1 of Rossini’s La donna del lago, mm.... Get access

Published: 19 February 2025
Example 10. “O quante lagrime,” from Act 1 of Rossini’s La donna del lago , mm. 43–51
Image
Schematized representations of three voice-leading textures

Schematized representations of three voice-leading textures Get access

Published: 19 February 2025
Example 11. Schematized representations of three voice-leading textures
Image
(a) Interpretation of the voice leading based on a first-position voicing o...

(a) Interpretation of the voice leading based on a first-position voicing o... Get access

Published: 19 February 2025
Example 15. (a) Interpretation of the voice leading based on a first-position voicing of the opening Romanesca in “Giuri ognuno a’ sommi dèi,” Act 1 of Rossini’s Semiramide , mm. 1–27 (b) Interpretation of the voice leading based on a second-position voicing of the opening Romanesca in “Giuri ognuno a’ sommi d
Journal Article

Rossinian Reiz: Strategic Musical Irritation and the Capturing of Attention Get access

PDF
Matthew L C Boyle
Music Theory Spectrum, mtae028, https://doi.org/10.1093/mts/mtae028
Published: 19 February 2025
Image
Short score of “No, che il morir non è,” mm. 83–103, from Act 2 of Rossini’...

Short score of “No, che il morir non è,” mm. 83–103, from Act 2 of Rossini’... Get access

Published: 19 February 2025
Example 3. Short score of “No, che il morir non è,” mm. 83–103, from Act 2 of Rossini’s Tancredi