Greater Atlanta: Black Satire after Obama
Greater Atlanta: Black Satire after Obama
Professor / Assistant Chair
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Abstract
Greater Atlanta focuses on an anxious and unresolved “moment” in American cultural history: the extended fading of the initial optimism surrounding Barack Obama’s election as president that Larry Wilmore named the “unblackening” of America in 2015. Although strongly identified with the rise of Donald Trump and his brand of ethnonationalist grievance politics, this period also witnesses a notable flourishing in satirical works produced by Black artists as well as a significant shift in the tenor of such works. Like its precursors, Black satire after Obama continues to engage in both intramural and extramural critiques of toxic cultural narratives, particularly those that profoundly affect African Americans’ lives. However, it also notably intensifies the degree of scorn directed toward those who claim to be dismantling anti-Black racism without forsaking the privileges afforded them by its continued existence. Thus, a third satirical vector aimed at hypocritical allies becomes prevalent in the mid-2010s, and the works that employ it largely eschew expectations of reform, instead offering a frustrated self-affirmation that echoes the forthright declaration that Black Lives do indeed Matter. The seventeen essays within this collection are all rooted in the groundbreaking television series, Atlanta, whose four pandemic-interrupted seasons (2016-2022) span nearly the length of the “post-Obama” years thus far. The collection radiates outwards from this core to examine more than a dozen other novels, films, and television shows that together reveal the ways in which contemporary Black satire has developed in response to the particular cultural dynamics of America’s “unblackening.”
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Front Matter
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“I’ve Done Told You, These Backhoes Ain’t Loyal!”: Atlanta and the State of Black Satire after Obama: Atlanta and the State of Black Satire after Obama
Derek C. Maus
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Downtown Atlanta
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On the Perils of Enjoying One’s Wound: Atlanta and Contemporary African American Satire
Derek Conrad Murray
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Whispering Sexuality: Queer Erasure and Black Satirical Disruption
Gershun Avilez
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SAtirizing Satire Itself: Atlanta’s Appropriation Aesthetic and the Blackening of US Civil Society
John Brooks
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Awkwardness and Black Millennial Satire in Insecure and Atlanta
Erica-Brittany Horhn andDerek C. Maus
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On the Perils of Enjoying One’s Wound: Atlanta and Contemporary African American Satire
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Forsyth County
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Lake Lanier
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DeKalb County
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“You Chose Black”: Atlanta’s Gendered Politics of Black Respectability and Representation
Keyana Parks
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Atlanta and the Instability of Racial Performance
Tikenya Foster-Singletary
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“What the Hell Is Muckin’?”: Mistranslation and Linguistic Pessimism in Atlanta
Lola Boorman
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Ironic Minstrelsies of Affect in Atlanta
Phillip James Martinez Cortes
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“It’s a Simulation, Van”: Atlanta, The Twilight Zone, and the Uncanniness of Black Womanhood
Danielle Fuentes Morgan
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“You Chose Black”: Atlanta’s Gendered Politics of Black Respectability and Representation
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East Point/College Park
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Hartsfield-Jackson International Airport
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End Matter
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