Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror
Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror
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Abstract
The American city, much like America itself, has always been a fantastic construct. More often than not, American cities are cities of illusion, as their representations tend to focus on images which connote order, power, and progress. These ideas gloss over the systemic realities of homelessness, unemployment, and social injustice characteristic of America’s urban centers. Fantastic Cities explores representations of American cities in science fiction, fantasy, and horror across a variety of media. These genres render the illusory character of American urban spaces explicit, as they realize that which usually remains veiled. In this volume, an international group of scholars investigates examples ranging from Samuel R. Delany’s science fiction classic Dhalgren and Jim Jarmusch’s urban vampire film Only Lovers Left Alive to the science fiction-western musical film serial The Phantom Empire and Kim Stanley Robinson’s fiction.
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Front Matter
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Introduction
Stefan Rabitsch andMichael Fuchs
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Section I Imagining Fantastic Cities
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Section II Picturing the End of the Urban World
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The Banality of the Apocalypse: Colson Whitehead’s Necropolis and Mirthless Parody
Jacob Babb
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Cities of the Dead: Urban Vampires in Only Lovers Left Alive and A Girl Walks Home Alone at Night
Jeffrey Andrew Weinstock
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Confronting Race and Racism in the Post-Apocalyptic American City
Robert Yeates
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The Water Apocalypse: Utopian Desert Venice Cities and Arcologies in Southwestern Dystopian Fiction
María Isabel Pérez Ramos
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“It’s Not Good Here Anymore”: Nuclear Survival and New York City’s Space in Kenny Scharf’s Videos
Andrew Wasserman
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The Banality of the Apocalypse: Colson Whitehead’s Necropolis and Mirthless Parody
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Section III Freedom and Restrictions in the Fantastic City
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Sylvester Stallone and Urban Order in the 1980s and 1990s: Gendering the City in Demolition Man and Judge Dredd
Fernando Gabriel Pagnoni Berns
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“We Speak Another Language Here”: Samuel Delany’s Dhalgren and the City of Folly
James McAdams
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Imagining Digital Cities: Freedom and (Non-)Human Agency in Representations of Virtual Realities
Michael Fuchs andSarah Lahm
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Sleep Dealer; or, Tijuana, Ciudad del Futuro
J. Jesse Ramírez
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Sylvester Stallone and Urban Order in the 1980s and 1990s: Gendering the City in Demolition Man and Judge Dredd
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Section IV The City and its Environment(s)
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End Matter
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