
Contents
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To “Garden Finely” To “Garden Finely”
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Ladies of the Club Ladies of the Club
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Amateur Historians at Work Amateur Historians at Work
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A Passion for Local History A Passion for Local History
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Expanding Their Boundaries Expanding Their Boundaries
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The Ideal Home Southern Style The Ideal Home Southern Style
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Home Tours Home Tours
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Selective Dramatizations of the Past Selective Dramatizations of the Past
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The Mass Appeal of the Old South The Mass Appeal of the Old South
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A Hunger for Authenticity A Hunger for Authenticity
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Pilgrimage Audience Reception Pilgrimage Audience Reception
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African American Response to the Pilgrimage African American Response to the Pilgrimage
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“On the Level” with Natchez Elites “On the Level” with Natchez Elites
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Five Selling Historic Natchez to Depression-Era Pilgrims
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Published:August 2019
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Abstract
This chapter recounts the early years of the Natchez Pilgrimage, a heritage tourism enterprise created by the Natchez Garden Club at the height of the Great Depression. The Pilgrimage dramatized a mix of decades-old southern racial ideology and white historical memory that was repackaged for 1930s consumption. Pilgrimage founder Katherine Miller and other leading clubwomen defined their community’s cultural image, while also redefining the meaning of traditional southern womanhood. The Pilgrimage is also the story of how one southern community’s selective expression of historical memory captivated white tourists eager to immerse themselves in the world of the Old South so vividly portrayed by popular writers and entertainers of the 1930s. The widespread appeal of the Pilgrimage home tours and pageant suggests the power of popular culture to shape a tenacious historical memory that remained in force for much of the twentieth century and lingers even today.
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