Comics Art in China
Comics Art in China
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Abstract
In the most comprehensive and authoritative source on this subject, this book covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists' actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews the editors conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
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Front Matter
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1
Cradle of Chinese Cartooning
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2
Manhua’s Golden Age
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3
Cartoons as Wartime Weapons, 1930s–1949
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4
Liberation, Maoist Campaigns, and Cartoons, 1949–1976
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5
Reform, Modernization, Market Economy, and Cartooning
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6
Animation: From Hand-Crafted Experimentation to Digitalization
- 7 Conclusion
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End Matter
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