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2 Dziga Vertov, 1930s Populism, and Three Songs of Lenin (1975)
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Published:May 2011
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Abstract
This chapter delves deeper into the works of Dziga Vertov by synthesizing whatever is valid in the existing orthodoxies of Vertov scholarship. It discusses prevalent notions of Vertov’s work, each of which is promulgated by separate camps made up of admirers of his career. One tradition places Vertov within the avant-garde tradition of bourgeois high art, interpreting him with the formalist idiom and the individualist ideology of conventional Western academic art criticism. A second tradition looks at Vertov from the perspective of the history of documentary film, locating Vertov as the precursor of direct cinema. A third position sees him as a pioneer of Marxist-Leninist praxis in the specific historical context of the Soviet revolution. The chapter also explores Vertov’s lesser known works, such as Three Songs of Lenin.
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