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15 Rear Condo: Manhattan Murder Mystery
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Published:April 2016
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Abstract
The comedian’s job, Allen often suggested, is to oppose the gravitational pull of pessimism and get the audience “airborne.” The scandal and his thoroughly dramatic films notwithstanding, Allen continued to argue that he could make “funny movies” in the face of his consistently nihilistic stance in interviews. Manhattan Murder Mystery, the chapter maintains, is an attempted return to normalcy after the disjunctions and dislocations of Husbands and Wives. A comedic murder mystery, it was originally part of the Annie Hall plot and derived as well from the Nick and Nora Charles movies of the 1940s. The desire to make movie magic in imitation of a previous generation’s movie magic does not, in Manhattan Murder Mystery, produce movie magic; the “light entertainment” Allen sought to create in the movie constantly reminds the viewer of how desperate Allen was to return to a form of cinematic normalcy.
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