Bulletin of the Institute of Classical Studies

Acknowledgements Get access

• Extract

How much did pottery workers know about classical art and civilisation? Get access

• Abstract

Pots in performance: Emma Hamilton’s Attitudes Get access

• Abstract

Archaeology in the home: neoclassical ceramics for new audiences in mid-nineteenth-century Britain Get access

• Abstract

Myths of the Odyssey in the British Museum (and beyond): Jane Ellen Harrison’s museum talks and their audience Get access

• Abstract

Classics transformed? Ancient figured vases as a test-case for the preoccupations of Classical Reception Studies Get access

• Extract

Contributors Get access

• Extract

List of Figures Get access

• Extract

Introduction Get access

• Extract

A Greek tragedy? Why ‘Dillwyn’s Etruscan Ware’ failed Get access

• Abstract

Pottery workers, ‘the Ladies’, and ‘the Middling Class of people’: production and marketing of ‘Etruscan and Grecian vases’ at Wedgwood c.1760–1820 Get access

• Abstract

Ancient vases in modern vitrines: the sensory dynamics and social implications of museum display Get access

• Abstract

SEEING SLAVES IN AESCHYLEAN SATYR DRAMA Get access

• Abstract

REPRESENTATION AND NOVELTY IN AESCHYLUS’ THEOROI Get access

• Abstract

THE ANCIENT RECEPTION OF AESCHYLEAN SATYR PLAY Get access

• Abstract

INTRODUCTION: AESCHYLUS AT PLAY Get access

• Extract

SATYRIC NOSTALGIA IN THE AESCHYLEAN TETRALOGY Get access

• Abstract

AESCHYLUS’ DIKTYOULKOI: A TYPICALLY ATYPICAL SATYR PLAY? Get access

• Abstract

PRECARIOUS CHOREIA IN SATYR PLAY Get access

• Abstract