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Volume 70, Issue 1, February 2012
Notes from the Editor
Notes from the Editor
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages v–vi, https://doi.org/10.1111/j.1540-6245.2011.01490.x
Editor Search
EDITOR SEARCH for
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Page vii, https://doi.org/10.1111/j.1540-6245.2011.01491.x
Call for Papers: Special Issue on Song, Songs, and Singing
Call for Papers
Song, Songs, and Singing
Guest Editors:
Jeanette Bicknell and John Andrew Fisher
A Special Issue of
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Page viii, https://doi.org/10.1111/j.1540-6245.2011.01492.x
ARTICLES
SPECIAL ISSUE: THE MEDIA OF PHOTOGRAPHY Diarmuid Costello and Dominic McIver Lopes, Guest Editors
Introduction
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 1–8, https://doi.org/10.1111/j.1540-6245.2011.01493.x
Transparent Representation: Photography and the Art of Casting
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 9–17, https://doi.org/10.1111/j.1540-6245.2011.01494.x
Fiction, Nonfiction, and Deceptive Photographic Representation
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 19–30, https://doi.org/10.1111/j.1540-6245.2011.01495.x
Photographic Art: An Ontology Fit to Print
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 31–41, https://doi.org/10.1111/j.1540-6245.2011.01496.x
Digital Pictures, Sampling, and Vagueness: The Ontology of Digital Pictures
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 43–53, https://doi.org/10.1111/j.1540-6245.2011.01497.x
Facing the Camera: Self-portraits of Photographers as Artists
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 55–66, https://doi.org/10.1111/j.1540-6245.2011.01498.x
Photography as Performative Process
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 67–77, https://doi.org/10.1111/j.1540-6245.2011.01499.x
Artwork and Document in the Photography of Louise Lawler: Irvin Artwork and Document in the Photography of Louise Lawler
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 79–90, https://doi.org/10.1111/j.1540-6245.2011.01500.x
The Macro and the Micro: Andreas Gursky's Aesthetics
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 91–100, https://doi.org/10.1111/j.1540-6245.2011.01501.x
The Question Concerning Photography
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 101–113, https://doi.org/10.1111/j.1540-6245.2011.01502.x
A Musical Photograph?
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 115–127, https://doi.org/10.1111/j.1540-6245.2011.01503.x
Drawings of Photographs in Comics
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 129–138, https://doi.org/10.1111/j.1540-6245.2011.01504.x
Photography and Knowledge
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 139–149, https://doi.org/10.1111/j.1540-6245.2011.01505.x
Depiction, Detection, and the Epistemic Value of Photography
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 151–160, https://doi.org/10.1111/j.1540-6245.2011.01506.x
CONTRIBUTORS
Contributors
The Journal of Aesthetics and Art Criticism, Volume 70, Issue 1, February 2012, Pages 161–163, https://doi.org/10.1111/j.1540-6245.2011.01507.x
