Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s
Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s
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Abstract
This book is the first to document and analyze Hoyt Fuller’s profound influence on the Black Arts movement. Using historical snapshots of Fuller’s life and activism as a means to rethink the period, Building the Black Arts Movement provides a fresh take on the general trajectory of African American literary (and cultural) studies as the field developed over the course of two explosive decades in the mid-twentieth century. The book argues that the Black Arts movement can be understood as a pivotal and volatile moment in the long history of America’s culture wars. Moreover, by shifting our focus from creative artists and repositioning Fuller at the center of the movement--as one of its most underappreciated architects--the book grants new insights into the critical role of editorial work, the international dimensions of the movement, the complexities of sexuality, and the challenges of Black institution building during the 1960s and ’70s.
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Front Matter
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Introduction: A Movement Architect
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1
Designing the Future: Black in a Negro Company
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2
A Local Construction Site: OBAC, Chicago, and the Black Aesthetic
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3
Expansion Plans: Asymmetries of Pan-African Power
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4
Scaling Back: Closure, Crisis, and Counterrevolutionary Times
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5
Abandoning the Past: Effacing History and Confronting Silence
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Coda Maintenance, Reconstruction, and Demolition: Contests for Black Creative Control
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End Matter
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