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Aural Flânerie in Houssaye and Baudelaire Aural Flânerie in Houssaye and Baudelaire
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Transposing the Cry into Song Transposing the Cry into Song
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Song Rhythms as Sound Memory Song Rhythms as Sound Memory
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The Demonic Effects of Stridency The Demonic Effects of Stridency
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Cite
Abstract
This chapter draws on a network of discourses including the picturesque and flâneur-writing, panoramic literature on the Cris, and reflections on populist song, in order to show how different writers harmonized the glazier's cry into poetic prose. It compares Arsène Houssaye's “La Chanson du vitrier” and Charles Baudelaire's “Le Mauvais Vitrier”. It shows how Houssaye's transcriptions of the glazier's cry and his use of the cry as refrain relate to efforts by musicians such as Mainzer and Kastner to document the cry for posterity. Houssaye harmonizes the cry to exploit its pathos and, in tandem with Nerval, Gautier, or Dupont, he seeks to achieve an authenticity through the transposition of song. In contrast, Baudelaire espouses dissonance in “Le Mauvais vitrier” and evokes the sinister and demonic effects of strident noise.
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