Cultural Heritage in Mali in the Neoliberal Era
Cultural Heritage in Mali in the Neoliberal Era
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Abstract
Up to 2012, Mali was a poster child for African democracy, despite multiple signs of growing dissatisfaction with the democratic experiment. Then disaster struck, bringing many of the nation's unresolved contradictions to international attention. A military coup carved off the country's south. A revolt by a coalition of Tuareg and extremist Islamist forces shook the north. The events, so violent and unexpected, forced experts to reassess Mali's democratic institutions and the neoliberal economic reforms enacted in conjunction with the move toward democracy. This book's detailed study of cultural heritage and its transformations provides a key to understanding the impasse that confronts Malian democracy. As the book shows, postcolonial Mali privileged its cultural heritage to display itself on the regional and international scene. The neoliberal reforms both intensified and altered this trend. Profiling heritage sites ranging from statues of colonial leaders to women's museums to historic Timbuktu, the book portrays how various actors have deployed and contested notions of heritage. These actors include not just Malian administrators and politicians but UNESCO, and non-state NGOs. The book also delves into the intricacies of heritage politics from the perspective of Malian actors and groups, as producers and receivers—but always highly informed and critically engaged—of international, national and local cultural initiatives.
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Front Matter
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Introduction: Malian Cultural Heritage and Governmentality
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1.
Commemorating the Nation’s Heroes in Mali’s Neoliberal Democracy
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2.
Remembering the Colonial Past
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3.
The Women’s Museum Muso Kunda: Citizenship, Gender, and Social Memory
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4.
The Heritagization of Islamic and Secular Architecture: Djenné
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5.
The Fate of Timbuktu’s Sufi Heritage: Controversies around Past Traces and Current Practices
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Epilogue: Further Thoughts on Governmentality and Culture
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End Matter
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