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The Suppressed Original Version (Early October 1934) The Suppressed Original Version (Early October 1934)
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The First Revision: Finalizing the 1934 Theatrical Text (Mid-October 1934) The First Revision: Finalizing the 1934 Theatrical Text (Mid-October 1934)
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The Harms Sheet-Music Text (1934) The Harms Sheet-Music Text (1934)
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The Neutralized Text: “Finale Ultimo,” Act 2 (1934) The Neutralized Text: “Finale Ultimo,” Act 2 (1934)
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“Anything Goes”: Differing Tracks of Dissemination (1934–1935) “Anything Goes”: Differing Tracks of Dissemination (1934–1935)
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Mix and Match: The Tams-Witmark Rental Score (1935) Mix and Match: The Tams-Witmark Rental Score (1935)
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The London Production (1935) The London Production (1935)
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The Harms Vocal Score (1936) The Harms Vocal Score (1936)
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The Hollywood Film (1936) The Hollywood Film (1936)
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Becoming a Standard (1950–1959) Becoming a Standard (1950–1959)
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The Television Production: Ethel Merman Returns (1954) The Television Production: Ethel Merman Returns (1954)
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The Revision of “Anything Goes”: Mix and Match as Creative Nostalgia (1962) The Revision of “Anything Goes”: Mix and Match as Creative Nostalgia (1962)
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Notes Notes
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14 A Consideration of Drama, Lyrics, and Musical Structure in a Porter Film: Broadway Melody of 1940
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8 From “Young Bears” to “Three-Letter Words”: “Anything Goes,” 1934–1962
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Published:June 2016
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Abstract
The lyrics of some of Porter's most celebrated songs underwent a double process of generalization (away from the specifically local references) and neutralization (bowdlerization) as they made their way into the larger culture. This chapter illustrates that process by looking at “Anything Goes” (from the 1934 musical of the same name) as an exemplary case study, tracing its path into broader consumption spheres from its sexually and socially mischievous original version through a series of differing, Porter-sanctioned alternatives in late 1934 and 1935 to its comfortable assimilation, by the 1950s, as an anodyne standard in the Great American Songbook to be interpreted by leading recording artists.
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