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This volume grew out of earlier Italian editions, published by Editrice Il Castoro (Milan) first in 1996 and, in a revised and doubly expanded edition, in 2011. I wish to thank Renata Gorgani, Andreina Speciale, and Alessandro Zontini of Editrice Il Castoro for their work on those earlier editions and for agreeing, in cooperation with Daniel M. Nasset, on an English version for the University of Illinois Press and its Contemporary Film Directors series. I am very grateful to Daniel, for his feedback and for shepherding the book to completion; to James Naremore, Justus Nieland, and Jennifer Fay, for welcoming the volume into their series; and to Louis Kibler, for his tremendous help in preparing this monograph for the English-speaking reader.
My work on Kusturica results from long-standing debts to a number of scholars, journalists, librarians, festival organizers, and friends. I wish to thank Richard Peña, program director of the Film Society of Lincoln Center and the director of the New York Film Festival, for a fundamental course on Eastern European cinemas taught at New York University back in 1995 and for the discussions that followed; Nancy Friedland of Columbia University Libraries, then at NYU/Bobst Library, for teaching me how to get ahold of all sorts of materials preserved in U.S. libraries; Mark Thompson of Article 19 for his intense critical feedback; Steve Erickson and Pavle Levi for their precious suggestions and many passionate conversations. I also wish to thank Denise Breton, UGC Hachette, and the now-defunct CIBY 2000, particularly Huw Morgan, for sending me press kits and copies of the films discussed in earlier versions of this volume.
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