Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons (1)
Contemporary Sino-French Cinemas: Absent Fathers, Banned Books, and Red Balloons (1)
Cite
Abstract
Although cinema has been transnational since its inception, contemporary Sino-French film exemplifies the cinematic hybridity of the contemporary age of globalization. The Sino-French comprises crossover between the Sinophone and the Francophone. However, Taiwanese and mainland helmed films since 2000 provide the focus here and connect with metropolitan France and more specifically Paris, not the broader French speaking world. Contemporary Sino-French Cinemas calls for the movement away from Orientalism and Occidentalism, myths and stereotypes. Through the tropes of métissage, intertextuality, the makeover, translation and imitation, the Sinophone connects with “Frenchness.” The first three tropes provide optics for examining films by Taiwanese-connected directors Cheng Yu-chieh, Tsai Ming-liang and Hou Hsiao-hsien in Part I, focused on self-reflexive arthouse work influenced by the French New Wave and other French precursors. Part 2 analyzes Chinese helmed films by Dai Sijie, Emily Tang Xiaobai and Dai Sijie which critique mainland socioeconomics and politics through the portrayal of France. Increasing the national, cultural and linguistic diversity of the Francophone dimension of the Sino-French and calling attention to Sinophone-directed film with French connections expands the scope of Francophone studies and Sinophone Studies, as the Sino-French contributes to transnational film studies.
-
Front Matter
-
Introduction to Contemporary Sino-French Cinemas
-
Part One Franco-Taiwanese Cinema
-
Part Two Franco-Chinese Cinema
-
End Matter
Sign in
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Purchase
Our books are available by subscription or purchase to libraries and institutions.
Purchasing informationMonth: | Total Views: |
---|---|
October 2022 | 2 |
November 2022 | 2 |
November 2022 | 1 |
January 2023 | 2 |
May 2023 | 2 |
September 2023 | 1 |
September 2023 | 7 |
October 2023 | 2 |
November 2023 | 3 |
November 2023 | 1 |
December 2023 | 2 |
April 2024 | 2 |
May 2024 | 1 |
June 2024 | 4 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 2 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
August 2024 | 1 |
September 2024 | 1 |
September 2024 | 1 |
October 2024 | 2 |
October 2024 | 2 |
December 2024 | 1 |
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.