Huihui: Navigating Art and Literature in the Pacific
Huihui: Navigating Art and Literature in the Pacific
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Abstract
This book is the first to navigate the interconnections between the rhetorics and aesthetics of the Pacific. Like the bright and multifaceted constellation for which it is named, the book showcases a variety of genres and cross-genre forms that explore a wide range of subjects, from Disney’s Aulani Resort to the Bishop Museum, from tiki souvenirs to the Dusky Maiden stereotype, from military recruitment to colonial silencing, from healing lands to healing words and music, from decolonization to sovereignty. The chapters go beyond conceiving of Pacific rhetorics and aesthetics as being always and only in response to a colonizing West and/or East. Instead, they emphasize the importance of situating their work within indigenous intellectual, political, and cultural traditions and innovations of the Pacific. Taken together, the chapters thread ancestral and contemporary discursive strategies, question colonial and oppressive representations, and seek to articulate an empowering decolonized future for all of Oceania.
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Front Matter
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Introduction: Ho‘ohuihui: Navigating the Pacific through Words
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Part 1 Makali‘i: Identity
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One
And I who am still a woman woven … !
Flora Devatine
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Two
A Contemporary Response to Increasing Mele Performance Contexts
Kalena Silva
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Three
Un/Civilized Girls, Unruly Poems: Jully Makini (Solomon Islands)
Selina Tusitala Marsh
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Four
The Fisherman
Michael Puleloa
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Five
Pasin/Ways
Steven Winduo
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Six
Nau mai, hoki mai: Approaching the Ancestral House
Alice Te Punga Somerville
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Seven
Tiki Manifesto
Dan Taulapapa McMullin
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One
And I who am still a woman woven … !
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Part 2 Peleiake: Institutions
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Eight
let’s pull in our nets
Chantal Spitz
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Nine
Speeches from the Centennial of the Overthrow: ‘Iolani Palace, January 17, 1993
Haunani-Kay Trask andMililani Trask
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Ten
Something in the Wind
Michael Puleloa
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Eleven
Sovereignty out from under Glass? Native Hawaiian Rhetorics at the Bishop Museum
Lisa King
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Twelve
The Many Different Faces of the Dusky Maiden: A Context for Understanding Maiden Aotearoa
Jo Smith
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Thirteen
Stealing the Piko: (Re)placing Kānaka Maoli at Disney’s Aulani Resort
Brandy Nālani McDougall andGeorganne Nordstrom
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Eight
let’s pull in our nets
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Part 3 Kūpuku: Community
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Fourteen
“I Lina‘la‘ Tataotao Ta‘lo”: The Rhetoric and Aesthetics of Militarism, Religiosity, and Commemoration
Craig Santos Perez
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Fifteen
The Words to Speak Our Woes
Chantal Spitz
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Sixteen
All Things Depending: Renewing Interdependence in Oceania
Jonathan Kay Kamakawiwo‘ole Osorio
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Seventeen
Pasin Pasifik/Pasifik Way
Steven Winduo
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Eighteen
He Huaka‘i ma Hā‘ena: Treasured Places and the Rhetorical Art of Identity
Gregory Clark andChelle Pahinui
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Nineteen
Words & Music
Jeffrey Carroll
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Fourteen
“I Lina‘la‘ Tataotao Ta‘lo”: The Rhetoric and Aesthetics of Militarism, Religiosity, and Commemoration
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Part 4 Ke Aweawe a Makali‘i: Word
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Twenty
I write (J’écris)
Chantal Spitz
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Twenty-One
Ka Li‘u o ka Pa‘akai (Well Seasoned with Salt): Recognizing Literary Devices, Rhetorical Strategies, and Aesthetics in Kanaka Maoli Literature
ku‘ualoha ho‘omanawanui
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Twenty-Two
First Class
Albert Wendt
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Twenty-Three
Adventures in Chronicling: The Relational Web of Albert Wendt’s The Adventures of Vela
Steven Gin
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Twenty-Four
When will I be content with my words? When will I sound out my poem words?
Flora Devatine
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Twenty
I write (J’écris)
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End Matter
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