The K-Effect: Romanization, Modernism, and the Timing and Spacing of Print Culture
Published:
05 December 2023
Online ISBN:
9781531507787
Print ISBN:
9781531505073
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Contents
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Chapter
3 The Chinese Character of Romanization: Conrad and Lu Xun
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Pages
117–156
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Published:05 December 2023
Cite
GoGwilt, Christopher, 'The Chinese Character of Romanization: Conrad and Lu Xun', The K-Effect: Romanization, Modernism, and the Timing and Spacing of Print Culture (New York, NY , 2023; online edn, Fordham Scholarship Online, 23 May 2024), https://doi.org/10.5422/fordham/9781531505073.003.0004, accessed 11 July 2026.
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Abstract
This chapter examines the significance of Chinese script for a global multi-media transformation of romanized print form at the beginning of the twentieth century. The chapter first discusses recent histories of Chinese script reform in the early twentieth century. It turns then to examine the effacement of Chinese characters in Conrad’s work (from Almayer’s Folly to Victory). It concludes with a comparison between Conrad and the work of celebrated Chinese modernist Lu Xun.
Collection:
Fordham Scholarship Online
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