Noir Affect
Noir Affect
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Abstract
The essays in Noir Affect articulate the importance of understanding negative affect and argue that noir is a privileged medium for doing so. Ranging, in its discussion, among a range of media and national contexts, the volume sees noir as a contemporary phenomenon as much as a historical one. Reconceptualized as defined by negative affect, noir becomes a crucial site for thinking about death, decay, anxiety, rage, sadness, guilt, shame, resentment, loss, and the erotic attachment to death. It also becomes a locus of protest and refusal against the boosterish rhetorics of capitalism. The essays in the book argue for the social and political work done by noir affect. Taken together, they make the argument for noir as a vibrant contemporary medium. They also make the argument for negative affect as a crucial political dynamic, one that is underappreciated in many theories of affect. Readers will emerge from the collection with a new understanding of both noir and affect.
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Front Matter
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Introduction: Dark Passages
Christopher Breu andElizabeth A. Hatmaker
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1
Toward Alphaville: Noir, Midcentury Communication, and the Management of Affect
Justus Nieland
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2
Public Violence as Private Pathology: Noir Affect in The End of a Primitive
Christopher Breu
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3
Cold Kink: Race and Sex in the African American Underworld
Kirin Wachter-Grene
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4
Noir Pedagogy: The Problem of Student Masochism in the Classroom Economy
Elizabeth A. Hatmaker
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5
The Shadows of the Twilight World: Beebo Brinker and the Circulation of Affect
Sean Grattan
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6
Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir
Ignacio M. Sánchez Prado
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7
Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell Franchise
Peter Hitchcock
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8
Playing with Negativity: Max Payne, Neoliberal Collapse, and the Noir Video Game
Brian Rejack
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9
Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl
Pamela Thoma
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10
Surplus Feelings: Neoliberal Noir and the Affective Economy of Debt
Alexander Dunst
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11
Capitalism as Affective Atmosphere: The Noir Worlds of Massimo Carlotto
Andrew Pepper
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Afterword: Melodrama, Noir’s Kid Sister, or Crying in Trump’s America
Paula Rabinowitz
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End Matter
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