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Pious Poverty: Humsafar and the Religio-Class Politics of Post-9/11 Pakistan Pious Poverty: Humsafar and the Religio-Class Politics of Post-9/11 Pakistan
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Overcoming Jahiliyyā: Conversion in Umera Ahmad’s Shehr-e Zāt and Nimra Ahmad’s Jannat kē Patē Overcoming Jahiliyyā: Conversion in Umera Ahmad’s Shehr-e Zāt and Nimra Ahmad’s Jannat kē Patē
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The Hypocrites: Minority in Umera Ahmad’s Pīr-e Kāmil and Bushra Rehman’s Pārsā The Hypocrites: Minority in Umera Ahmad’s Pīr-e Kāmil and Bushra Rehman’s Pārsā
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5 Modern/Mecca: Populist Piety in the Contemporary Urdu Novel
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Published:January 2021
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Abstract
By the twenty-first century, seventy odd years into Pakistan’s existence, the cobbled ideals of nationhood and state implode into a radically reimagined Muslimness enabled and legitimized within a number of popular novels and television serials authored by bestselling writers, Umera Ahmad, Nimra Ahmad, and Farhat Ishtiaq. Among them, the “new” Muslim, predominantly signified by young women, is the contemporary reincarnation of a salafī, an early convert and companion of the Prophet Muhammad. In these religio-populist novels, the true Muslim protagonist actively rejects those outside the fold of Islam—minorities, for example—renounces all that is Western—clothing, occupations—while reinventing the self in the image of the early Meccan community of converts to Islam. This exclusionary, often violent discursive formation marks the coming-of-age of a widespread religious populism in the domain of vernacular literature.
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