
Contents
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Messiaen and Balthasar Messiaen and Balthasar
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Form as Musically Christian Form as Musically Christian
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Musica ancilla verbi Musica ancilla verbi
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Discursive Music Discursive Music
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Inversion and Idolatry Inversion and Idolatry
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Music as Religion Music as Religion
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The Spirit of Augustine The Spirit of Augustine
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Cite
Abstract
This chapter examines the connection and convergence between the religious music composition of Olivier Messiaen and the works and philosophy of Swiss theologian Hans Urs von Balthasar. Messiaen considers von Balthasar a major influence. However, the music of Messiaen appears to fall beyond the theological schemes that it alleges to adhere to, and these theological schemes have the greatest difficulty in maintaining what they actually assert. An analysis of von Balthasar's philosophy indicates that he bases his musical theology on the notations of Gestalt and on the information of the total Idea in the arts, in the form of a flowing rhythm, evolving melody, and theatrical plot of development.
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