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Abstract
Milan Kundera’s 1995 novel Slowness offers a defense of moving slowly yet moves very fast. It does not turn back from double negation to an original Yes, and speed is its central puzzle or paradox. Kundera’s Epicurean project, like the existential projects of most philosophers, is doomed from the start. He suggests that the way to feel no pain is to go slow, to take your time, although he is not optimistic about the chances for success. In his novel, Kundera explains the difference between Speed and Slowness in terms of sex and argues that dancing is incompatible with indolence. His Epicureanism equates pleasure with the absence of suffering and makes him conceive of his ideal by double negation, as a form of indolence.
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