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The Multiple Music of Mirrors The Multiple Music of Mirrors
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What Matter Who Is Singing What Matter Who Is Singing
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Deixis and Deities Deixis and Deities
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Resonance: Singing the World Resonance: Singing the World
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Cite
Abstract
This chapter takes up one of the hymns from Hildegard of Bingen’s Symphonia, in which the speaker(s) and addressee seem to shift interestingly—particularly as the speakers are the chorus of singers and the addressee is God. The hymn makes more and richer sense read in light of Hildegard’s complex cosmological imagery, which includes both the world as mirror of divinity and creation as song. The latter implies both that the created world may be sung into being (suggested in some of Hildegard’s many reflections on the text “In the beginning was the Word”) and that it sings or resonates with, as it reflects, divinity, in a curious and delightful synaesthesia. The sense of voice in this chapter becomes cosmological and world-wide.
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